Sabtu, 08 April 2017

Ebook Download Aeneid (Hackett Classics)

Ebook Download Aeneid (Hackett Classics)

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Aeneid (Hackett Classics)

Aeneid (Hackett Classics)


Aeneid (Hackett Classics)


Ebook Download Aeneid (Hackett Classics)

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Aeneid (Hackett Classics)

Review

Adapting words of the ancient critic Longinus, [Lombardo] refers to the intense light of noon of the Iliad, the magical glow of the setting sun in the Odyssey, and the chiaroscuro of the Aeneid, a darkness visible. This latter phrase is the title of a famous interpretation of the Aeneid by W. R. Johnson, who contributes a splendid essay to the translation. Whether recited or read, the present volume stands as another fine performance on Lombardo's part. Summing up: Highly recommended. --C. Fantazzi, CHOICELombardo . . . tends to let Virgil be Virgil, and so avoids imposing unwarranted interpretation on the unwary reader. . . . [W.R. Johnson's] introduction is masterful and illuminating. --Hayden Pelliccia, The New York Review of BooksCrisp, idiomatic, and precise, this is a translation for our era. The list of further reading, grounded in the writings of W.R. Johnson (who also wrote the Introduction) and Michael C. J. Putnam, suggests the context that informs the translation: here, as the translator says in the Preface, you will find an Aeneid that works more in the shadows than in the light. . . . This translation would be excellent for classroom use: not only would it incite fascinating discussions about issues of war and empire, but it also reads well aloud. . . . Together with Johnson's Introduction, this volume offers the Aeneid in terms that will resonate strongly with the general reader of today. --Sarah Spence, New England Classical Journal

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About the Author

Stanley Lombardo is Professor of Classics, University of Kansas. His previous translations include Homer's Iliad (1997, Hackett) and Odyssey (2000, Hackett), Hesiod's Works & Days and Theogony (1993, Hackett), and Sappho, Poems and Fragments (2002, Hackett), a PEN Center USA 2003 Literary Award Finalist.W. R. Johnson is Professor of Classics and Comparative Literature, Emeritus, University of Chicago. His previously published works include Darkness Visible: A Study of Vergil's Aeneid (1976, University of California Press), Horace and the Dialectic of Freedom (1993, Cornell University Press), The Idea of Lyric (1982, University of California Press), Lucretius and the Modern World (2000, Duckworth), and Momentary Monsters: Lucan and His Heroes (1987, Cornell University Press).

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Product details

Series: Hackett Classics

Paperback: 432 pages

Publisher: Hackett Publishing Company, Inc.; UK ed. edition (March 15, 2005)

Language: English

ISBN-10: 0872207315

ISBN-13: 978-0872207318

Product Dimensions:

5.5 x 1 x 8.2 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

25 customer reviews

Amazon Best Sellers Rank:

#66,282 in Books (See Top 100 in Books)

One of the two best books I've ever read (along with Milton's Paradise Lost). I really like this translation. It's very readable, and you always understand the sense of what's happening, instead of being bogged down in complex, archaic language. This is one of the deepest and most powerful works ever written. Virgil died before it was complete, and he wanted the manuscript destroyed, because it didn't live up to his impossibly high standards. It's rare for any writer to even attempt a work of such breadth and depth, and equally rare for anyone to write with such eloquence and power.

A great, accessible translation. As a classicist, who has read much of the Aeneid in the original language and a teacher, I have found this to be an excellent read, accurate, and something that student can easily understand and appreciate.

Lombardo rocks. Most readable, modern, engaging, and faithful translation.

This is really the best translation there is out there. I know some people would disagree and write that the Fagels translation is the best, but it just isn't anymore. I used to love the Fagels translation. It was the one I went to. The Lombardo is really that much better. If nothing else it's worth looking at. I was skeptical at first when I was offered a copy and now I'm a convert.

Pages xlix-lxxi of the introduction and 1-24 of Book 1 have been bound upside-down.

I last encountered this book in high school Latin. Reading it again in my fifties, I found that it's actually a great story,an epic which should be read by anyone wishing to learn the classics. I especially like Lombardo's translation, which attempts to recreate the experience of watching it performed for a live audience.

This was a fabulous translation, all of Stanley Lombardo's translations are great, he does the Illiad and the Oddesey as well.

Stanley Lombardo really catches the essence of Vergil. I have read parts of Vergil's Aeneid in the original Latin, and I agree with his substance. I have also read Lombardo's translations of Iliad and Odyssey, both excellent. The English is up to date, rhythmic and fluid.

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Minggu, 02 April 2017

Ebook Download Cleveland Rock and Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the '60s, '70s, and '80s, by Carlo Wolff

Ebook Download Cleveland Rock and Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the '60s, '70s, and '80s, by Carlo Wolff

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Cleveland Rock and Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the '60s, '70s, and '80s, by Carlo Wolff

Cleveland Rock and Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the '60s, '70s, and '80s, by Carlo Wolff


Cleveland Rock and Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the '60s, '70s, and '80s, by Carlo Wolff


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Cleveland Rock and Roll Memories: True and Tall Tales of the Glory Days, Told by Musicians, DJs, Promoters, and Fans Who Made the Scene in the '60s, '70s, and '80s, by Carlo Wolff

Review

A high-spirited, very conversational compilation of ‘true and tall tales of the glory days’ of the Cleveland music scene, as told through the eyes of musicians, DJs, promoters and fans. (Goldmine Magazine 2007-02-16)A fun, incisive look at three decades of Cleveland’s music history. The result is a well-researched work that is an absolute blast to read . . . Feels less like following a detailed history text than flipping through a scrapbook, or watching a documentary . . . A sharply written piece of folk history. It’s a quick read, and certainly an enjoyable one for Cleveland rock fans who were there the first time around. (Benjamin Pogany West Life 2006-11-30)Largely presented as an oral history, making the book essentially a collection of anecdotes. As a result, you get a real ‘you are there’ feeling . . . A bittersweet look back at a time before the mainstream music industry became totally prepackaged, a time when radio DJs could actually choose the songs they were going to play. (Gillian G. Gaar Harp Magazine 2007-03-12)Chock full of pictures (stars, tickets, concert posters, stickers and pins). Reading it is like overhearing folks swap tales. (Laura Kennelly Morning Journal 2006-12-17)An easy read, full of great photos, memorabilia, and firsthand accounts from Cleveland DJs, musicians, and local people―maybe even your next-door neighbor―who retell their personal experiences at historic music events in the area. (Sundayoldiesjukebox.com 2007-02-24)Like stopping by the record store and browsing the bins, listening to the first few seconds of a cut here and there, and getting lost in a memory. (Carl E. Feather Star Beacon 2007-02-01)For rock geeks, the most interesting chapter will be the recollections of the many groundbreaking performances by then-up-and-coming rockers such as David Bowie and, of course, Bruce Springsteen . . . If you were an avid concert-going rock fan in those heady days, chances are there will be at least a few pages that speak directly to you and many more that will bring back memories. (Malcom Abram Akron Beacon Journal 2007-05-13)The book’s charm comes from the recollections supplied by promoters, musicians, disc jockeys and, maybe most powerfully, the fans, which unearth seldom-told stories and bits of Cleveland rock trivia that provide a fresh perspective on a time about which many of us thought we’d heard everything. (Jim Vickers Cleveland Magazine 2007-01-01)

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About the Author

Carlo Wolff writes for numerous publications including Goldmine, Billboard.com, the Boston Globe, the Chicago Sun Times, the San Francisco Chronicle, Sun Newspapers and Scene. He specializes in music criticism, book reviews, and feature articles about popular culture, travel, and business. He is also Features Editor of LH-Lodging Hospitality magazine. He lives in South Euclid, Ohio.

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Product details

Paperback: 131 pages

Publisher: Gray & Company, Publishers; 1 edition (November 15, 2006)

Language: English

ISBN-10: 188622899X

ISBN-13: 978-1886228993

Product Dimensions:

8.5 x 0.4 x 10 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#1,426,084 in Books (See Top 100 in Books)

There are several books on the market in Cleveland that trace the city's roots in rock. There is even one that deals strictly with WMMS, the once high flying Buzzard and the onetime king of the airwaves. This book, Cleveland Rock and Roll Memories, by Carlo Wolff, is the latest in a line. I will say that some of you probably won't care one bit about this very specific book. However, if you are a fan of rock, you may find it interesting.Chapter List:1. Making Waves - Radio2. Shakin' All Over - The British Invade Cleveland3. Passing Through, Plugging In - National Acts4. So You Wanna Be A Rock and Roll Star - Local Acts5. In the Trenches - Other Local Acts6. Hangouts & Hotspots - Clubs7. Fanning the Flames - Music and the Media8. Selling Sounds and Styles - RetailBack before radio went corporate and bands made many stops across this great land, Cleveland was king (after all, that is one of the reasons why the Rock Hall is here). Detroit is only a couple of hours away, so after bands released new singles in Motown, they headed to Cleveland to promote them. The airwaves were ruled by aggressive and unique voices, Larry Morrow, Alan Freed, Kid Leo, Matt "The Cat," Billy Bass, Lynn Tolliver, Bill Randle, and many others. These pioneers were always looking at the music scene, and they brought new voices to town, Elvis, Bruce Springsteen, Roxy Music, David Bowie, among others. And it wasn't just radio. Television played a big part in putting the Cleveland music scene on the map. From 1964 to 1971, a television show called Upbeat showcased new and old talent. And before the days of syndication and satellite, tapes of the show would be sent to other markets, increasing the reach of these bands. I haven't even touched on the number of clubs and record stores in the area.So why is this book unique? Wolff lets the people that were there to tell the stories. Every chapter has a theme, and he lets the voices speak. There is very little editorial content, it is all the musicians, DJs, fans, and promoters. Really, he interviews people that were there when Elvis and Beatles came to town. When Pink Floyd played the Stadium. When Bruce Springsteen rocked the Agora. He talks to the DJs, and they tell you how they found the artists and promoted them. Fans talking about hanging out with the bands. He dedicates a lot of space to Jane Scott, the nations' premier music reviewer (she wasn't really a critic) who was the oldest person in attendance at the concerts - she is a local legend and very well known to the bands that passed through Cleveland. Wolff includes some great memorabilia in the margins, like concert tickets (David Bowie for $4.50, Rolling Stones for $5.50, The Eagles for $3.50, and Pink Floyd for $3.00), the best concerts, record stores through the decades, groundbreaking Cleveland concerts, and newspaper ads for the shows/clubs. They all add to the stories that are told.If you are from the Cleveland area, this is a must read. Especially if you are/were really into the music. For those of you outside the area, this will give you a real flavor of why Cleveland is "The Rock and Roll Capital of the World." As I was talking to others about this book, everyone told me about the first concert they attended, the most amazing acts that they witnessed, or some other rock anecdote. It is a conversation starter. And it takes you to the events, as if you were there. It is a quick, enjoyable, and highly entertaining read. And you might learn something, too.

Right after the Friday night drive with Kid Leo would come the Boss reminding us we were BORN to run, followed by Murray really slapping it to the man and getting us into the weekend groove. At a fever pitch we'd get all spruced up, get all dressed up, get out a fresh pack of papers and the Big Bambu album to help us clean out those popping seeds and poking stems, top off the ice on the cooler packed with Genny Creams and P.O.C, picked up your honey on the way to the Stadium, the Agora, Blossom, or (what was that place with the traffic jams?) while The Godz kept your fingers tapping on the wheel. Oh, yeah, baby! Sometime Murray would be there at the venue to frenzy it all up again for that 'festival seating' crushing feeling!! M.S.B. crooned about Rosewood Bitters, headshops were aplenty, and High School teachers would hit you up for the good stuff. Oh, BABY!! This is a GREAT book! Well researched and the tale is nicely told by someone who KNEW that time, that scene. Excellent venue, people, and memorabilia

If you're looking for a love letter to a specific radio station in NE Ohio then this is for you. If you're looking for anything like a measured examination of the truth or anything not self congratulating, probably better look somewhere else. A glorified pamphlet. Live and learn. And pay 19.95.

Grew up in Berea in the sixties. So the stories of radio stations and local bands was fun to read. Only disappointment was the very short accounts of the James Gang. In particular the amazing guitarist Glen Schwartz. There was more emphasis on The Choir/Raspberries. Saw both bands (in their many incarnations) numerous times and always thought the James Gang rocked harder and put on a better show. On the other hand the Raspberries were very good at haircuts and outfits.

Had to get this because it mentions my husband's nightclub several times. Great reading and brought back so many memories!

There are times when one has to let the music do the talking.And noted rock critic Carlo Wolff permits those who rocked the house for three decades have their say in this oral history of Cleveland, Ohio, the "Rock-n-Roll Capital of the World."While it is not a definitive work on how the area helped shape the national (and international) scene in rock-n-roll, the breezy 131 pages present neat recollections on every angle of the story; from those spinning the discs on radio to voices from the audience at some of the most legendary and controversial gigs ever to hit the North Coast.Having the perspective from the front row to something very special makes this a great read. The era took many people on a great ride and brought a unique "pop" to pop culture.

It was a fun look back at some of the bands, clubs,concerts,etc. that I spent time in the 70's with. I even saw some quotes and pictures of long time friends.I thought there were a few glaring omissions though. Devo, who must have sold as many records as almost anyone else from Northeast Ohio, and was an influential force in music, barely warrants a mention.Also, from a media standpoint, Scene Magazine played a big part in exposing people to both local and national bands, and they too are barely referred to.

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